Tag Archives: Is Revelation apocalyptic?

Interpreting Biblical Apocalyptic (28): The Final Attack on the Remnant

Rev 12:17 serves as a summary introduction to Revelation’s portrayal of a great final crisis at the conclusion of earth’s history. It indicates that there are two sides in the final conflict, represented by the dragon, on the one hand, and the remnant on the other. But the dragon does not immediately act on his anger. Instead he “went away” to make war. Why? Because he was frustrated by repeated failures in the course of apocalyptic history. He was not strong enough to last in heaven (Rev 12:8), he failed to destroy the man-child of the woman (Rev 12:3-5), and he failed to destroy the woman herself (Rev 12:16). Because of his repeated failures he realizes he doesn’t have the strength to defeat God’s purposes by himself, so he decides to enter the final conflict with allies, a beast from the sea and a beast from the earth (Rev 13:1-18). The remnant are ultimately, therefore, faced with three opponents: 1) the dragon; 2) the sea beast, and 3) the land beast.

In the book of Revelation, God is often spoken of in three’s–Father, Son, and Holy Spirit (Rev 1:4-5). So the dragon, the sea beast and the land beast in Revelation 13 would seem to be a counterfeit of the holy three, an alternative to the true Godhead. These texts indicate that there is to be a great, final world-wide deception where a counterfeit “trinity” stands in the place of the true God. The purpose of the counterfeit is to deceive the world.

Rev 12:17 summarizes the final stage of earth’s history in a nutshell, the rest of the book of Revelation elaborates on that summary introduction. Rev 13, for example, outlines in more detail the dragon’s war against the remnant of the woman’s seed (Rev 12:17). Linguistically this occurs in two great stages signaled by the Greek tenses in relation to the final attack of Rev 12:17. Two beasts (from the sea and the earth) are each given “character introductions” in past tense (Rev 13:1-7; 13:11). These past-tense portions begin with a visual description of each character followed by an account of that character’s subsequent actions. Being in the past tense, these actions would seem to have occurred prior to the dragon’s final war against the remnant.

In each scene the Greek of Rev 13 then moves from description in the past to a mixture of present and future tenses (Rev 13:8-10; 13:12-18), describing the actions of these two beasts in the context of the final attack of Rev 12:17. So two stages of history are clearly marked off by the Greek tenses signaling events prior to the dragon’s war (past tenses) and an elaboration of the events of the war itself (present and future tenses). Beale has noted that Rev 13 is parallel in time with 12:13-17, which coheres with the Adventist position described here.

There is one further passage in Revelation which speaks to this end-time deception, Rev 16:13-16, the famous Battle of Armageddon passage. Here the counterfeit trinity of Rev 13 uses demonic spirits that look like frogs to gather the kings of earth for the final battle. Since frogs were the last plague that the magicians of ancient Egypt were able to counterfeit (see Exod 7:18-19 in context), the use of frogs as a symbol here signals that the message of Revelation 16 has to do with the last deception of earth’s history.

The three frogs are the demonic counterparts of the three God-sent angels of Rev 14:6-12. Both groups of angels have a mission to the whole world (Rev 14:6; 16:14), one trio calling the world to worship God, and the other seeking to gather the people of the world into the service of the unholy trinity. The final showdown takes place at “Armageddon” (Rev 16:16).

My work on the “Armageddon” article for the Anchor Bible Dictionary led me to the conclusion that the best way to understand the word Armageddon, in the light of the Biblical evidence, is as the Greek form of a couple of Hebrew words that mean “Mountain of Meggido.” Meggido was a city on a small elevation at the edge of the Plain of Jezreel. Looming over the place where the city of Megiddo was, however, is a range of mountains called Carmel.

What counts for Revelation is that Mount Carmel was the place where the great Old Testament showdown between Elijah and the prophets of Baal took place (1 Kings 18:16-46). On that occasion God answered Elijah’s prayer to bring fire down from heaven onto an altar in order to prove that Yahweh was the true God, not Baal.

According to Revelation, the Mount Carmel experience will be repeated at the End. Once again there will be a showdown between the true God and a devious counterfeit. But it will be different this time. At the End the fire that comes down falls from heaven will fall on the wrong altar. It will be the counterfeit Elijah and the counterfeit three angels who bring fire down from heaven to earth (Rev 13:13,14). On that day all the evidence of the five senses will suggest that the counterfeit trinity is the true God. Adventists see themselves as the “church of the remnant” whose recognition of the realities described in these prophecies enables them to help prepare their fellow Christians and others for the unique challenges of the last days.

Revelation 12, therefore, clearly demonstrates the successive stages of prophetic history that are characteristic of the historical type of apocalyptic found in Daniel 2 and 7. Observing carefully the markers in the text, the author’s use of character introductions and way the Old Testament is utilized, we have detected three stages of Christian history running from the time of Jesus and the John to the end of all things. When we note that at least two of the main characters in the chapter were active in the time before the birth of Jesus (which we will call below Stage Zero), there are a total of four successive stages of apocalyptic history.

Interpreting Biblical Apocalyptic (23): Detecting Apocalyptic Sequences

Before we take up the analysis of Revelation 12, I would like to lay out some principles for detecting apocalyptic sequencing in the symbolic visions of the Apocalypse. It is not appropriate to force a chapter into the historicist mode if that was not the intention of the text. We must allow the characteristics and purposes of each text to emerge out of the text. Only then can we accurately determine whether the chapter is a historical apocalypse or not.

Textual Markers
A significant indicator of an apocalyptic historical sequence is the presence of terms and developments in a text that indicate the successive passage of time. A major reason that the Daniel and Revelation Committee, for example, saw the trumpets as more apocalyptic than the seals was the presence of significant textual markers that time was passing as you moved through the trumpets, while such textual markers are completely missing in the seals.

The seven trumpets (Rev 8:2-11:18), for one thing, contain a number of time periods. There is a period of five months (Rev 9:5,10), a period of forty-two months (Rev 11:2), a period of 1260 days (11:3) and a period of three and a half days (11:9,11). No such periods of time are found anywhere within the seven seals (Rev 4:1-8:1), with the exception of the half-hour at the close. The sequential nature of the trumpets is strongly confirmed by the woe series after the fourth (Rev 8:13). The first woe (fifth trumpet) ends before the second begins (9:12) and the second (sixth trumpet) ends before the third (seventh trumpet) begins (11:14). Trumpets five, six, and seven, therefore, not only occur as a sequence of time, each is completed before the next begins. This is a strong parallel to the apocalyptic sequences of Daniel. One further marker of the passage of time in the trumpets is found in Rev 10:7. There the blowing of the seventh trumpet immediately follows the completion of God’s mystery, which is defined as the preaching of the gospel through God’s servants the prophets. The textual markers in the seventh trumpet, therefore, strongly suggest that the vision of the seven trumpets is to be interpreted as an apocalyptic sequence of historical events. Further research also indicates that the trumpets run from NT times (the time of the human author) to the end of time.

Character Introduction
Another significant indicator of the passage of time in Revelation is the literary strategy we could call character introduction. Consistently throughout the book, the author of Revelation introduces characters in general terms before describing their actions at the time of the vision. In other words, when a character appears in the book for the first time, there is a general description of the character’s appearance, and often a number of prior actions (and occasionally even future actions), followed by a description of the actions the character takes in the context of the vision’s own time and place setting. These character introduction passages normally offer clear markers of sequence.

When Jesus is introduced to John in chapter 1, the historical setting is John’s location on the Island of Patmos (Rev 1:9). John then goes into vision and sees one like a son of man. This is the first appearance of Jesus in the book, although He and His works are mentioned earlier (1:1,4-7). While this passage (Rev 1:9-3:22) has few other characteristics of an apocalyptic prophecy, there is a clear movement in time taking place as you work through the passage. John first hears Jesus’ voice sounding like a trumpet (1:9-11), then he sees and describes Him (1:12-16), then he experiences His comforting and explanatory words (1:17-20), finally he hears His messages to the seven churches (2:1-3:22).

A similar thing happens in chapter 11. The visionary setting of the two witnesses passage is Rev 10:8-11, where a voice out of heaven and the angel of the previous vision (Rev 10:1-7) engage John in a prophetic action (10:8-10), followed by an explanation. As we have seen from our study of Daniel 2 and 7, explanations come to the prophet in terms of his own time and place. Since John continues to be engaged (Rev 11:1-2) and addressed (11:3ff.) in Revelation 11, the standpoint from which John experiences chapter 11 is his own. It is not surprising, therefore, that the major time markers of 42 months and 1260 days are expressed in the future tense (Rev 11:2; Rev 11:3. These periods of time were future from the perspective of John.

The two witnesses themselves are introduced with a description of their appearance and an overall description of their characteristics and their actions in the present (11:4-6) and in the future tense (11:3). These present and future tenses are to be understood from the perspective of an explanation to John in terms of his own time and place. The entire character introduction passage (11:3-6), the elements in future tense (3) as well as those in present tense (4-6), occurs prior to the visionary description that follows (11:7-13).

The following time sequence, therefore, is evident in Rev 10:8-11:12. John is engaged and addressed by a voice from heaven and a visionary angel in his time and place. He then measures the temple, which is to be trampled for 42 months in John’s future, presumably the same period as the 1260 days of 11:3. Then the two witnesses are introduced. Whoever they are, they clearly exist in John’s day (present tenses) and have an ongoing existence. At some future point from John’s perspective, the two witnesses pass through a 1260 day period of testimony. It is only after that period of testimony that the martyrdom of these witnesses and their resurrection is to occur.

Interpreting Biblical Apocalyptic (22): The Adventist Approach to Revelation II

While the early critical consensus was that the book of Revelation was primarily apocalyptic, that consensus has been seriously challenged. Some scholarly discussions of Revelation’s genre suggest that it is more prophetic than apocalyptic, others suggests a “prophetic-apocalyptic” genre, still others highlight the epistolary aspect of the book. What is clear is that the genre of Revelation is a mixed genre whose character cannot be determined with exactness. Typical of more recent discussion is the eclectic approach of G. K. Beale, Revelation, New International Greek Testament Commentary (Grand Rapids, MI: William B. Eerdmans Publishing Company, 1998). When it comes to the book of Daniel, historicism as a method is not at issue, it is simply a question of whether to interpret along the lines of predictive prophecy or ex eventu prophecy. With Revelation, on the other hand, the appropriateness of historicist method is much less obvious.

Most Seventh-day Adventists have not yet felt the force of this difficulty. We inherited a historicist approach to Revelation from our Protestant forebears in the middle of the 19th Century. We have assumed that approach to be the correct one, but have never demonstrated it from the text. This came clearly into focus for me in the context of the Adventist conversations with the Lutheran World Federation. It was clear that the Lutherans had a hard time understanding the Adventist approach to Daniel and Revelation. When it came time to write the Adventist response, the committee decided that scholarly justification for a historicist method in Revelation was needed. But when I asked where in the Adventist literature such a justification could be found, few had any idea.

My own subsequent search turned up only one Adventist argument for a historicist approach to Revelation (by Roy Naden). It goes something like this. The book of Daniel clearly exhibits a series of historical events running from the prophet’s time to the end. The Book of Revelation quotes Daniel and is similar in style to Daniel, therefore, the seven-fold series of Revelation are also to be understood as historical series running from the time of the prophet until the end. This argument by itself is not satisfactory.

In a Lutheran-Adventist joint publication I added a further argument from the evidence of Jewish apocalyptic. I suggested that the historical time periods of ex eventu prophecy reflected the conviction that a genuine prophet such as Enoch, Moses, or Ezra would be capable of outlining history in advance. Since John, the author of Revelation, believed that the prophetic spirit had returned (Rev 1:3; 19:9-10; 22:6-10), he would have every reason to believe that the cosmic Christ could reveal to him the general outline of events between the advents. The return of genuine prophets would signal the return of predictive prophecy.

Should John’s prophecies be understood more in terms of the classical prophets like Isaiah and Jeremiah or more like the apocalyptic prophet Daniel? Do the symbolic visions retain some of the epistolary nature of the early chapters? In the Daniel and Revelation Committee session that was held at Newbold College in England in 1988, considerable discussion was given to this issue. A developing consensus seemed to be that the churches, seals and trumpets of Rev 1-11 respectively exhibited the characteristics of the three main genre types found in the book of Revelation. Careful analysis suggests that the seven letters portion of the book (Rev 2-3) reads most naturally along the lines of the New Testament epistles, the seven seals (Rev 6-7) bear the character of classical prophecy, along the lines of Matt 24, and the seven trumpets (Rev 8-11) are the most apocalyptic in nature.

Given the mixed picture of Revelation’s genre this should be evaluated on a case by case basis. An example of such an evaluation is given in the following blogs on Revelation 12. No passage in Revelation is more critical to Adventist self-understanding than Rev 12-13. I will, therefore, examine one of these chapters for evidence of whether it reflects the historical sequencing of an apocalyptic series or exhibits the characteristics of classical prophecy. We will try to determine on the basis of exegetical analysis whether the apocalyptic reading of traditional Adventism is appropriate to Rev 12.